The theory seems simple and the changes in technique small, but applying the principles of how tone, light and shade work, will improve the illusion of form in every drawing you do – regardless of the subject.Īnd the exciting part about it is, once you ‘get’ lighting, the principles never change. If line drawing creates the proportions, handling of tone creates the form. Whilst these all play an integral part, the most effective method of making your drawings appear three dimensional, is understanding how light logic works. Is it the proportions? The perspective? Perhaps the composition? Cezanne, Oil on Canvas, still life with seven apples, 1878Įver felt frustrated having worked so hard on a drawing – only to find it still looks ‘flat’?
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